Lighting design for Stefania Licari’s one-woman show, *I Can Make You Italian in 55min!*, crafted to enhance its vibrant storytelling and intimate atmosphere. This project reflects our commitment to illuminating stories through design, blending technical precision with creative vision.

I worked as a general technician for underbelly and had the opportunity to design this now!

I worked as an adaptable stage manager with experience co-managing multi-department productions from rehearsal through tech. Proven ability to problem-solve under pressure, handling personnel changes, budget constraints, and last-minute directorial changes while keeping the production on schedule. Strong communicator who restructures processes where needed to keep directors, crew, and cast aligned.
Note: I was not responsible for the Lighting Work in this Show

Served as a lighting designer, understanding power calculation and planning the rig, delegating task to our crew, while trying to manage with our set team building in the theatre as we rigged. Taught our more inexperienced team how to use a lighting desk as we programmed together.

Working with other Lighting designers, we all designed our own pieces and brought them all together, collaborating on the ground plan, rigging and managing our lighting crew. Our goal is to make the dancers come to life. I designed a contemporary dance as well as a Jazz one too! First Dance show, and I was so happy with how it came out.

I worked on a recent project. I worked as a lighting operator, designer and sound op. I had to set up LEDS, zoom pars, and patch them. We used a Zero 088 FLX and a Behringer Xenyz X sound desk.

Adapted quickly to unfamiliar lighting desks during an 8-hour tech rehearsal, demonstrating fast learning under pressure. Proficient in QLab, creating innovative setups in under two weeks. Strong multitasker with effective communication skills, ensuring smooth collaboration and production. Reliable under deadlines, with a focus on efficiency and improvement.

Served as Lighting & Sound Designer, Operator, Stage Manager, FOH, and actor! Sounds crazy, but this role required me to go on stage, talk to the audience, set up props on stage, program on the go when the lighting desk lost our show file and rejected my USB saved one and adapt to the challenges that came my way.

Served as Lighting Designer, Lighting/Sound Operator, Sound Mixer and Mentor. Adapted quickly to unfamiliar equipment, made real-time adjustments, taught a show assistant/flyer how to tech/operate and get in/out, able to make a clear a through handover to make sure of a smooth show once I left. Fitting microphones and setting up/testing the receiver in 5 minutes.

Took on lighting and sound design, operation, and stage management, swiftly mastering new equipment and resolving technical challenges on the spot to maintain smooth, high-quality shows. Working for both Edinburgh Fringe and Dundee Fringe!

Served as Lighting & Sound Designer, Operator, and Stage Manager across venues. Controlling both sound/ mixing and lights at the same time. Adapted quickly to unfamiliar equipment, made real-time adjustments, and ensured a smooth technical show under pressure in a venue of up to 90 Seats, and moved between venues, having multiple technical rehearsals.